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Laura Egley Taylor

Then a miracle occurs . . .

today’s focus brought to you by . . .

March 30th, 2010

explosions in the skyExplosions in the Sky. Providing much-needed focal aid on this day of way yonder too much to do for the May-June issue.

Epic instrumental post- rock from . . . Texas. These guys are masters of the slow build, moving steadily toward a sweepingly huge, over-the-top wall of sound.

I particularly love their 2001 album, Those Who Tell the Truth Shall Die, Those Who Tell the Truth Shall Live Forever. If you haven’t heard the track “Have you Passed Through this Night?,” put it on your must-listen list.

I also think they get points for the title of their 2007 album, All of a Sudden I Miss Everyone.

And their artistic sense translates to the visual, too: very cool band photos here.

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Photo: One of the aforementioned very cool band photos.

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get up and go

May 2nd, 2009

Pelican’s “Drought.” On repeat. A highly recommended soundtrack for layout.

(From their album Australasia. Here’s a rough clip, but you really need to hear their recording for the full effect. As one of the clip viewers commented: “You know who else likes Pelican? . . . God.”

This, from fastnbulbous.com:

“Just like you scrub away the day’s grime with a loofah, sometimes you need to sandpaper away unpleasant memories of bad radio you’re subjected to. Pelican’s Australasia is the perfect cure. . . As background music Australasia‘s tempo seems consistent, its tone satisfyingly thick, massaging the lower registers of your hearing. Put on the headphones (or risk your lease and crank the sound system) and allow your biochemistry to slow down and meld with the music . . .”

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today’s muse-ic props

March 18th, 2009

mogwai

Mogwai. “Cosmic” post rock, per AllMusic—and I agree. Their sound is big and lush, if not galactic. Kings of the slow build. . .

Would love to wax eloquent about them, but magazine layout awaits, so I’ll just say their wall of sound does wonders for my brain.

Meanwhile, here’s a 2006 video/interview* filmed in their hometown of Glasgow. Check it out.

Photo of the band courtesy of Mogwai.co.uk

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*”Have you ever felt the time is now for Mogwai?”

“I think I’ve felt that the time is soon, but I’ve never felt the time is now. . . Such unabashed optimism would probably render me useless to the world.”

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today’s much needed focal aid

January 21st, 2009

maserati-bandMaserati.

A post-rock instrumental band out of Athens, Georgia, formed in 2000. This, from the Temporary Residence Limited website:

. . .  the band has dragged the glory years of psychedelic arena rock kicking and screaming into the 21st Century, with the pomposity (and vocals) carefully removed. In its place are white hot flashes of light pulsing to an unstoppable rhythm that makes us want to punch air and drive really fast in a car with wings instead of doors.

Or . . . work really fast on layouts that (hopefully) serve as informative vehicles to get people where they need to be!

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a deadline crunch shout-out to. . .

November 27th, 2008

Oneida. In particular, their song “Sheets of Easter,” which has been described as “testing the listener’s patience by repeating a single brain-pummeling riff for over 14 minutes” (Jason Nickey, All Music Guide) and “Unless you have a taste for self-abuse, you would be wise to dodge the noise-drone cut “Sheets of Easter” (Yancey Strickler, eMusic.com).

I LOVE this song.

My guys Tim and Reeve slipped this track onto my iPod a couple of years ago—as a joke, I guess—and I shocked us all by really connecting with it. I find the repetition soothing—kicks me right into a focal zone where I can concentrate. I tend to listen to the song on repeat for hours at a time while working.

A while back, I contacted the band’s Fat Bobby (a.k.a. Bobby Matador or Robert Thacher) to tell him how much I appreciated “Sheets of Easter.” He wasn’t at all surprised to hear how calming I found it and said that his wife, Erica, had recently had a baby and had found rhythmic, repetitious music to be helpful during labor. Check out her list and his comments on the tracks here.

OK. Just got to lay out the TOC now, and we’ll be done with Jan-Feb! Am giving thanks right about now for Oneida (among many other things, of course) . . .

Happy Thanksgiving, y’all!

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Photograph: Lisa Corson

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today’s production support team

October 1st, 2008

Pelican. On an uber-crazy deadline day like today, nothing would be getting done at my desk without the focus this band’s music provides. Thanks, guys; I owe you.

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