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Laura Egley Taylor

Then a miracle occurs . . .

the end of an era

March 1st, 2011

the-endAnd then the carefree child, grateful for the experience of being—the joys of learning and sharing with others, the richness of growth and discovery—dashes across the beckoning bridge and on to new things on the other side.

The End

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The digital version of our March–April 2011 issue will go live later today. This issue will be Mothering‘s last—the magazine is no longer being published in print or digital format. Here’s how our publisher, Peggy O’Mara, put it on her blog.

After 35 years of making magazines, the staff at Mothering is obviously deeply saddened by this change—even as we understand that continuing to print would be financially unsustainable—for many reasons, including the loss of several very dear fellow staffers.

I’m sure I’ll feel the need to blog more about this later, but for now, there’s work to be done. As Peggy wrote, Mothering still exists, but as a website and online community—and there’s a lot going on there!

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Our final cover image is a reprise of a photo by Cheryl Steinhoff which we ran in an July–August 2008 article about the simple pleasures of  summer.

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ali smith’s momma love

February 2nd, 2011

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Obviously, I’ve seen a lot of photos—and many that make me stop and catch my breath—during my years as Mothering‘s art director, but NYC photographer and writer Ali Smith‘s work stood out for me when I first saw it. Something about the way she manages to be there, in the moment, capturing the intimacy of the mother-child relationship with an honesty and a beauty that hurts. Real-life moms with their kids, doing real-life things—and looking simultaneously edgy/hip/fresh and TIMELESS. That ages-old momma love.

(Gotta say I also really like her eye for composition.)

So I’m thrilled that our January-February issue features a photo essay by Ali, “Caught in the Act of Mothering.” The photos are a part of a larger project, a book, Momma Love: How the Mother Half Lives, which Ali’s working on—and which I’m really eager to see.

You can click here for a beautifully moving video which will give you a sense of Ali’s work . You can also follow her blog here.

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Photo above is of Hannah Bright and her daughter, Lizzie.

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stopping time

November 21st, 2010

drowsingbeach-photoMstretchingore on the way certain photos can grab you in the gut —and why. (It’s all about time, of course.) This, from Susan Sontag, from her book On Photography:

“The force of a photograph is that
it keeps open to scrutiny instants which the normal flow of time immediately replaces. This freezing of time—the insolent, poignant stasis of each photograph—has produced new and more inclusive canons of beauty.

“But the truths that can be rendered in a dissociated moment, however significant or decisive, have a very narrow relation to the needs of understanding. Contrary to what is suggested by the humanist claims made for photography, the camera’s ability to transform reality into something beautiful derives from its relative weakness as a means of conveying truth. . . .”

Susan Sontag,
On Photography

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Photos: A few of instances of insolent, poignant time-stoppage in my life from the past few weeks.

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Kitchen, what kitchen?

November 17th, 2010

kitchen? what kitchen?

For the Jan-Feb Peggy’s Kitchen shoot, I knew I wanted a sunny kitchen—with a cheery view of winter out the window. Asking friends and staff for location suggestions, I came up blank. Everybody’s got dark kitchens, it seems.

So this morning, Mel (staff photographer Melyssa Holik) came over to my house and we set up the shoot in my son’s bedroom. Which cracks me up. Not exactly studio material, I mean. And definitely NOT a kitchen. But believe it or not, I think it actually worked.

By the time Mel arrived, I had swiped some cinderblocks from my neighbor’s back yard (hoping he wasn’t watching through his back window!) to raise Reeve’s desk to the height of the window, scrubbed the walls and window casings around his desk, and pulled a curtain down from our living room window and swapped it out with the dark tablecloth that Reeve has used for a curtain for, I don’t know, 7 years now? I also had tried to clear the walls of boy stuff, though you can still see a bit of a huge pirate flag in the mirror behind me in the photo above.

hot-chocHappily, Mel got some really fabulous sunny winter-kitchen shots. It’s fascinating to me how it works—this business of creating an illusion. To look at Mel’s photos, you’d never guess they were shot at my house, let alone in a kid’s bedroom.

(Here’s a sneak peek at one of her shots. Mel: “But are there too many marshmallows?” Me: “Can there ever be  too many marshmallows?”

Yum.

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Photos of 1) Mel at work in our newly contracted professional studio, shooting Tanya Carwyn’s recipe for hot chocolate made with coconut milk; and 2) just one of the many lovely shots she got.

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women at work: just another day at the office

November 15th, 2010

cinnamon disaster

In which Laura and Mel (staff photographer Melyssa Holik) shoot hot drinks for Jan-Feb, spill cinnamon while trying to sprinkle a fancy pattern on the surface of one of said drinks, and, absent a vacuum cleaner, discover that effective traffic cones can be hastily constructed out of paper when circumstances demand.

Meanwhile, Managing Editor Melissa Chianta, who might have thought she was going to get some editing—or even some managing—done today, finds herself agreeing to go for an impromptu manicure in order to better serve as outdoor mug-hugging hand model for the hot drink photography team.

(Yes, these are the women with whom I work. And, yes, I am very lucky—and very grateful.)

Stay tuned for the results of the trio’s efforts!

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manicurePhotos: 1) Mel’s self-portrait (this shot made the cut for her photo-a-day project); and 2) Melissa takes a break from work to show off her manicure (while still holding on to the tools of her trade in the other hand)

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footnotes to October

November 11th, 2010

feetOctober was a rich month for me: the exciting and profound experience of traveling with Peggy, a lovely week with my parents in the land of my birth, an impromptu trip with my Tim to go visit College Boy Reeve in southern NM (then road-tripping with Reeve and his girlfriend for a couple of days.)

I didn’t get around to blogging much during October, but now that I’ve left it behind, a few blog-appropriate reflections have surfaced:

running-footFor optimal sense of adventure and  exhilaration of discovery: predawn runs with a camera are highly recommended when one is visiting a new place—whether it’s the city sidewalks and pavement of Los Angeles (it was) or the quiet rural roads of  southeastern North Carolina (which also was. Though since I ran with my dad, talking philosophy and solving the world’s problems as we ate up the miles, the roads were not so quiet).

small-lakeFor connection to one’s roots and a revitalization of the body’s sense memory: when you have the opportunity, be sure to swim (er, stand? Water was way low this year.) in the lake where you were born, even though the temperature might be a little more invigorating than you remember it being when you were young.

small-napIbid. Take at least one nap in the very same bed you slept in as a child. (While resting, sneakily snap a photo with your phone to send from bed to your sister in Ohio, whose matching twin bed is right next to you and who you really wish were napping in it right now.)

small-beachFor future fortification: No one should be expected to deal with the impending onset of winter in the mountains without first having had the chance to dig her toes into the still warm sand of a North Carolina beach in October. (This particular beach is Ocean Isle, these particular feet having just run in the 30th annual Oyster Festival 10K run with those of her father, laughing and chatting—us, not the feet—all the way.)

small-travelFor a sense of belonging: Lie in the sun and thaw out with your beloved fellow travelers after a few hours spent deep within the earth, exploring the 56-degrees-year-round Carlsbad Caverns—all sprawled out on picnic tables overlooking a desert plateau, before heading to the mouth of the cave at sunset to watch hundreds of thousands of bats head out into the evening.

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P.S. OK,  goofy concept, I admit—but what else does one do with so many photographs from all over the country of one’s feet?

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“November? Already?”

November 10th, 2010

Nov-Dec-2010Said the shocked (and . . . well . . . not-so-timely) blogger, realizing that we’re now a third of the way into the month.

Yes, indeed. A newish month. And a new issue to go with it: Pittsburgh photographer Kathy Wolfe shot the cover photo of a sweet little girl tenderly holding a Blabla doll.

On newsstands now, as they say. Look for it!

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have camera, will run

October 25th, 2010

I don’t travel a whole lot, but when I do, I like to get up before dawn and run with my camera. Once the sun is up, the light is almost always guaranteed to be incredible. Highly recommended way to see the world—truly in a new light.

A few shots from morning runs on my recent trip to Southern California:

fernslong-beach2deviationstreet-crossingalley

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dawn, coast to coast

October 25th, 2010

long-beachocean-isleNew experience for me. In my most recent travels. . . one weekend (while attending the 7th International Black Midwives and Healers Conference), I was watching the sun rise over the Pacific Ocean; the next (while visiting my parents in southeastern NC), I was wading in the Atlantic at dawn

Photos taken during my early morning runs at Long Beach, CA, and Ocean Isle, NC.

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now, about that September-October cover—

September 24th, 2010

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For the cover of our annual pregnancy issue, we’re featuring new mama Aine Rock, photographed by photographer Mark Segal in his Chicago studio.

Check out more of Mark’s work here.

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